Monthly Archive: November 2018

WAMFest and Recording

WAMFest (West Australian Music Industry)

I was lucky enough to be selected for WAMFest this year, so after a gig at Freehand Wines in downtown Denmark I then got myself organised for a some original sets, one in Albany at the White Star for Regional WAMFest and then 2 in Perth.  One was at the Perth Cultural Centre where I did a busking spot and the other was at Yagan Square which is an amphitheatre right in the centre of Perth which was amazing.  Something even more amazing happened and it was a total surprise to me and that is my song “Fly Free Little Bird” got chosen for the KISS MY WAMi Compilation CD. I didn’t even realise till I checked the program to see when and where I was playing and the songs that had been chose were on there. All in all it was a fantastic weekend and a great honour to be a part of such a big Western Australian Festival

It’s hard to believe that so much has happened in the past 7 years and to be a part of this festival was something I had never imagined would happen because I thought that the music industry only catered for people who were not in the 20s or 30s.  It has been a real slog being a woman and middle aged for that matter to get noticed and be treated as an equal. I  am not using age and gender as an excuse, it’s just a reality, and I think our culture really doesn’t take mature women seriously and it’s not easy for young women either because

 they have to deal with expectations placed on them. However, I have noticed that things are changing and gender equity is starting to happen so hopefully this will happen more and more.  I notice that when I play at venues where there are people from Europe or the Middle East or India they are always much more attentive and interested in listening, so maybe we need to learn something from those countries.

Recording

Since my last post I have finished two recording sessions. Al Smith from Bergerk Studio came down from Perth for the

weekend twice, once in September and again in October and we recorded 4 songs for my upcoming EP which I will probably be releasing in January.  Tony King is amazing and once again he offered to do my instrumentation and he also helps with production which is awesome! I love recording andI love how the songs evolve and it really is a collaboration because I never know where each one is going to go. We just start with my acoustic version which is literally lyrics and chords and then Tony adds his magic as he comes up with ideas throughout the process.  This was the first time working with in the studio with Al although he has mastered all my tracks since I started recording. Tony has known Al for 20 years and they worked brilliantly together and what I love the most about working with these guys is that there’s no inflated egos. It’s all pure fun and creativity. Luke Tulloch came in and did some violin tracks, he is an incredibly talented young man that I met at TAFE a number of years ago now and it didn’t take him long to find some lovely violin melodies to accompany my songs.

To top it all off I had a great gig at the Three Anchors in Albany with Tony King and it was the first time that I had done a three hour gig with him, and I was a bit nervous hoping that he would know how to play all my songs, but I realised very quickly that there was nothing to be concerned about, Tony is a legend when it comes to improvising, he really is an outstanding musician.  We had a great gig and he managed to compliment every song brilliantly and thanks to John King we got a photo to prove it. 

“Castaway” and “Witness” Exhibition Opening Performance

On Saturday 22nd September I had a very special performance.  Ruth Halbert Textile Artist and a very good friend of mine asked me to perform at her exhibition opening for the Great Southern Art Trail.  I love performing and for the past 5 years I have been playing at a whole variety of venues from pubs to house concerts and many festivals in between and I love to entertain too whether that be with my own songs or with my favourite covers.  That is one facet of my life, however, the other facet is my social activism and my desire to be a part of social change and many of my songs relate to the things that concern me.  So to be able to play at Ruth’s Exhibition opening was the beginning

of a new era for me. I was able to weave my story and question the things that concern me, between carefully selected songs to suit the sentiment.  It was also wonderful to engage the audience in a way that created a beautiful intimate experience for all.  I’m afraid I only got one photo and here it, so it’s not a great depiction of the evening but I think you can get the gist of it.  The Sanctuary is where we did it and there is no power and only a rainwater tank and compositing loo so very much back to nature as you can see by the photo too.   It was all acoustic which too made it a very special evening.

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